![]() ![]() ![]() At the center of the scene on one side is a trio of warriors, each wearing a short chiton and a full panoply of armor. (58.5 x 52 x 43 cm)Ĭurrent location: Acquired by Henry Walters with the Massarenti Collection, 1902ĭescription: Beneath the meander-adorned rim of this large volute krater is a band of figural decoration interrupted by the handles on each side. On the back are three mantled youths, two to the right and one to the left.Ĭheck the source and the license before reuse this imageĭimensions: H: 23 1/16 x W: 20 1/2 x Diam: 16 15/16 in. ![]() Above the right handle hangs the lower half of a shield. She wears a peplos, bracelets, and diadem. She holds the reins in her outstretched hands, as well as a goad in her left. x diam.) Ĭurrent location: Gift of Robert Garrett, 1952Ĭredit: Walters Art Museum: Home page Info about artworkĭescription: This red-figure calyx-krater depicts Nike on the front driving in a triga to the right. ![]() Through the introduction and removal of oxygen in the kiln and, simultaneously, the increase and decrease in temperature, the slip transformed into a glossy black color.Calyx-Krater with Driver, Chariot, and Three Horsesĭate: 2nd quarter 4th century BC (Classical)ĭimensions: with handles: size cm 22.2 16.7 (h. At this point, the unpainted zones of the vessel became red again while the vitrified slip (the painted areas) retained a glossy black hue. Finally, in the last stage, the vents were reopened and oxidizing conditions returned inside the kiln. Next, by sealing the vents and increasing temperature to around 900-950° centigrade, everything turned black and the areas painted with the slip vitrified (transformed into a glassy substance). At this point, the entire vase turned red in color. First, the temperature was stoked to about 800° centigrade and vents allowed for an oxidizing environment. Not only did the pots have to be stacked in the kiln in a specific manner, but the conditions inside had to be precise. To produce the characteristic red and black colors found on vases, Greek craftsmen used liquid clay as paint (termed “slip”) and perfected a complicated three-stage firing process. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |